Texas Music Journal » Songwriting

New Townes Van Zandt Lyrics Are On the Way

Sam Moore — Sat, 13 Feb 2010 21:59:16 +0000

(Editor’s Note: The following story is courtesy of Billboard Magazine and the website for David Broza.)

David Broza only met the late Townes Van Zandt once. But he apparently made quite an impression on the Texas music icon.

Townes Van Zandt

When he died in 1997, Van Zandt — who had performed with Broza at a marathon Writers in the Round concert during 1994 in Houston — left the Israeli singer-songwriter a shoe box of unreleased poems and lyrics that Broza has now turned into “Night Dawn: The Unpublished Poetry of Townes Van Zandt,” a 12-track album due out Feb. 23 on S-Curve.

“It was very mysterious and very sweet and very challenging,” says Broza, who recorded “Night Dawn” in June with producer G.E. Smith at Manhattan Beach studios in New York. “It’s like something I have never experienced before. I’m just beginning to understand what’s happening here — that it’s happening. I only hope I’ve done those lyrics justice, turning that poetry into song as Townes would’ve liked.”

A “humbled” Broza almost didn’t make the album. He met with Van Zandt’s widow, Jeanene, shortly after his death and bowed to her request to let her approach more well-known Van Zandt fans such as Bob Dylan or Willie Nelson or Waylon Jennings. “I knew this was something bigger than me,” he explains. “I’m not in a position like those people.” But eight years later, when he was back in Houston, he called Jeanene to ask what had become of the lyrics. When she told him nothing had happened, they agreed Broza could take a crack and turning them into songs.

“They all deal with death — almost all of them,” says Broza, who wrote spent four years writing music to 10 of the lyrics, finished an 11th, “Harms Swift Way,” from a Van Zandt demo and capped the album with his own instrumental, “Too Old to Die Young,” that’s dedicated to Van Zandt. “But of course he would always cut away suddenly from death and turn them into very personal and deep love and affection for someone. But all of these are about departure in some way.”

David Broza

Broza was also disarmed by the recording sessions, which he and Smith and the band — keyboardist Jon Carin, bassist Conrad Korsch and drummer Shawn Pelton — completed in just five days. “I’m a pop artist; I’m used to doing 171 takes to every song and fixing every word,” Broza says with a laugh. “Everything here was, like, one take. If I had to sing in front of Townes and sing him those songs, I guess this is what it would be like.”

Broza will debut some of “Night Dawn’s” songs when he opens for Steve Earle on Dec. 18 at the New York Society for Ethical Culture. “After that I’ll do some of these songs in every show of mine wherever I go,” Broza says. “I’m interested in performing all over the country.”

The track list for “Night Dawn: The Unpublished Poetry of Townes Van Zandt” includes:

“Soul to Soul”
“Southern Cross”
“Holes In My Sole”
“Long Ball Hitter”
“Old Satan”
“Night Dawn (Silver Dollar)”
“Carolina”
“Jeanine”
“Untitled”
“The Deer”
“Harms Swift Way”
“Too Old To Die Young” (Instrumental)

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Nashville Songwriters Meet in North Texas

Sam Moore — Tue, 15 Dec 2009 19:58:58 +0000

By Bianca Montes

The North Texas chapter of the National Songwriters Association International(NSAI) met for their initial meeting Dec. 8. The NSAI is a non-profit trade association dedicated to the assistance of songwriters. Judging from the participation of the members and potential members, the initial meeting was a networking success.

Regional coordinator Sam Moore took the first half of the meeting to go over the many benefits NSAI has to offer its members, including seminars, critiques by professionals, song contests, and Washington lobbying efforts. He also explained the typical monthly meeting format: 30 minutes of songwriter education, followed by an hour of song critiques.

Members were able to showcase their offerings to their peers for criticism. Highlights of the evening included music offerings from songwriters Steve Verrill, Amber Benson and Ray Phillips.

“Special Someone,” a slow story about searching for his soul-mate, was a nice choice by Verrill. While the song showed promise it was short of the perfect vocal to adding a bit of soul to the piece.

Quick and sassy filled the room when Benson showcased her offering “Grocery Store Hot,” a catchy number that had many toes tapping the floor. Perfectly composed for Sara Evans or Terry Clark, “Grocery Store Hot” is a song to which any woman can relate.

“Ying Yang Twins” started off with the perfect twang of violin strings. Phillips created a strong blend of instrumentation with great compliments to the singer.

Many of those present voiced their optimism that this chapter will be a success. They said the other chapters in the general area – in Fort Worth and East Texas – are too far away to attend on a monthly basis. By meeting in Allen, it is accessible for people from Dallas and Collin County to the state line. In fact, one member drove down from Durant OK.

The opening meeting of the North Texas chapter of the NSAI showed promise of aid for local songwriters. For more information about the NSAI visit their website at www.nashvillesongwriters.com.

NSAI Gets North Texas Chapter

Sam Moore — Wed, 02 Dec 2009 03:59:07 +0000

A new chapter of the Nashville Songwriters Association International is forming. The North Texas chapter is designed to meet the needs of those members in Dallas and areas north to the Oklahoma border. The first meeting will take place:

Tuesday, December 8
7pm
Dodie’s Place Sports Grill
190 E. Stacy Road, Suite 1320
Allen TX 75002
972-678-4550

Dodie’s is on the east side of US Hwy. 75, at the Stacy Road exit, in the Village at Allen. Dodie’s sits across the street from the new Allen Events Center. I would like to thank Kyle McPherson, manager of Dodie’s, for allowing us to use their meeting room for our gatherings.

Some of you are already members of NSAI. Some of you may be members of a local songwriters association. Some of you may be new to the art. Regardless, NSAI has something for you. We do not compete with local groups. Rather, you will find that NSAI is complementary to, and often works with, local groups.

Our first meeting will be primarily informational. We will also go through the process of a typical monthly meeting. This includes an education section, followed by a song critique session. If you have a song you would like to present to the group, you may either perform it live or bring a CD.

I have been a member for several years, and can tell you my membership has greatly helped me in my personal songwriting journey.

Welcome Home Shelley King

John South — Sat, 21 Nov 2009 20:44:30 +0000

Shelley King, 2008 Official State Musician of Texas, presents us with a new offering, Welcome Home, that that not only highlights the flexibility of her vocal talent, but also underscores the craftsmanship that she and the Subdudes (John Magnie, Tim Cook and Steve Armedée) put into each and every song. One factor of craft that really standouts out in this recording is King’s minimalist approach to instrumentation. She doesn’t overpower a song with excessive instrumental support. In fact, the title song opens with a simple acoustic strum that supports the power of the vocals (which are absolutely awesome). The wailing undertones provided by the accordion and percussive support of the other instruments paints a picture of old time gospel that is quite engaging.

Another minimalist song is King’s, “I Remember”. Basically using vocals, drums, and a touch of harmonica, King draws you into the energy of the song. The crispness of the recording allows the listener to feel every bit of the drum work. Each element balances the other perfectly.

Where fuller instrumentation is provided, King ensures that a musical balance is maintained. This balances allows her to take us on a musical journey that includes gospel numbers (Welcome Home, Grain of Sand), south Texas zydeco influenced melodies (Everything’s All Right), bluesy numbers (I Can’t Make It Easy), country-influence (How You Make Me Feel, Falling Fast) and even a reprise of “Welcome Home” that emphasizes the old-timey nature of the song through a simulated early radio sound. Each number supports the next in the album, though they may be of completely different styles.

“Summer Wine” is a song that has received international air play already. However, there are many songs on this album that should be getting radio time. A song like “Asking Too Much” exudes the Texas sound. A beautiful melody is supported with great vocals and accordion work; one finds themselves transported into a Texas frame of mind. “Grain of Sand” has a folksy gospel sound that draws you into the song with the deep bass vocal backup and the excellent organ work.

King shows the flexibility of her talent in this album. Going beyond the fact that she was the first woman selected for the post of Official State Musician of Texas, in Welcome Home, King shows that she is a master song craftsman; perfect instrumentation for the mood of her songs, supported by a fantastic cast of musicians. This is definitely an album to pick on your holiday gift list!

Welcome Home

www.shelleyking.com

Summer Wine (Shelley King)
I Remember (Shelley King)
Welcome Home(Shelley King,
Everything’s All Right (Shelley King, Theresa Andersson)
Asking Too Much (Tim Cook, Steve Strickland)
How You Make Me Feel (Shelley King, Floramay Holliday)
I Can’t Make It Easy (John Magnie, Shelley King)
It’s Starting to Rain (Shelley King)
Falling Fast (Shelley King)
Grain of Sand (Shelley King)
Welcome Home Reprise (Shelley King)

Welcome Home is available from iTunes, Amazon, and CD Universe along with King’s albums, Call of My Heart (1998), The Highway (2002), Rockin’ the Dancehall (2004), Armadillo Bootleg #1 (2008). Lemonade Records (lemonade_records@yahoo.com), based in Austin, was created by artists far the support of artists. Operating in a fiercely competitive environment, Lemonade Records is a lean and mean outfit which combines the functions of a traditional record label with artist booking, show and media promotions and national and international tour services. Lemonade Records, P.O. Box 33097, Austin, TX 78764 (512-386-6355).

Houston Area Songwriter Meetings and Organizations

John South — Thu, 19 Nov 2009 15:30:30 +0000

NSAI Houston Monthly Meeting and Open Mic

Next meeting is Sunday, Nov. 22nd, 4:00pm, at JP Hops House, 2317 Hwy 6 South. For more information on NSAI Houston’s meetings, contact Dave at dbannen@hotmail.com

Houston Songwriters Association

Next meeting Sunday, Dec. 13th, 2:00pm at JP Hops House, 2317 Hwy 6 South. For more information, visit http://www.houstonsongwriters.com

NSAI Houston North Metro Chapter

Next meeting is Tuesday, January 5th beginning at 7:00pm at Dosey Doe Coffee Shop, on I-45 north, in the Woodlands. Guest speaker is Troy McConnell, co-author of the book, Songplugger: The Cuts and The Bruises. Followed by group critique and three rounds of performing writers. Sign up for rounds at nsai.houstonnorthmetro@gmail.com

Visit the website: http://myspace.com/nsaihoustonnorthmetro

OPEN MICS AND SUCH

Sundays: NSAI Open Mic Nights Every Sunday at JP Hops House!

Nashville Songwriters Association International hosts an Open Mic at 6:00pm EVERY SUNDAY NIGHT at JP Hops House, 2317 Hwy. 6 South. Thanks to TC Smythe for hosting this premier open mic in Houston! http://www.jphopshouse.com

Mondays: McGonigel’s Mucky Duck’s Open Mic

Anything goes at this great venue, from poetry to comedy to actual music, hosted by Wayne Wilkerson. Signups at 6:00pm-ish. http://mcgonigels.com. 2425 Norfolk, off of Kirby and 59.

Tuesdays: Main Street Crossing’s Open Mic

Hosted by Danny Everitt, this venue has it all: great food, drinks, staff, sound, stage and vibe. Signups are at 6:30pm and it goes on until 10:00 or later. This is a popular open mic, so plan ahead by contacting Danny at danny@dannyeveritt.com. Your 3-song set can be recorded for only $5.00, when you bring your own blank CD-R. Stars are made at this open mic, so even if you don’t perform, it’s a great evening out for a meal and a show. Main Street is located in the heart of old Tomball, at 111 W. Main Street (FM 2920). http://www.mainstreetcrossing.com

Wednesdays: Crescent Moon Wine Bar’s Open Mic

There is a new Open Mic opportunity for the north Houston metro area, at the Crescent Moon Wine Bar, located at 440 Rayford Rd., east of I-45 north. This is a beautiful room: great stage, ample sound and a cool vibe. The Wednesday Night Open Mic will be hosted by Danny Everitt, who will ensure a great time and variety of performances. Sign-ups are at 6:30pm and the music starts at 7:00pm and wraps up by 10:00pm. The stage can accommodate up to 3 vocal mics.

*NO KARAOAKE/SINGING TO TRACKS is available. *NO RECORDING OFF THE BOARD is available.

http://www.crescentmoonwinebar.com/ Phone: 281-364-WINE (9463) Contact Danny Everitt for all details: danny@dannyeveritt.com

INFORMATION & INSPIRATION

NSAI Spring Training and Workshops for 2010

http://nashvillesongwriters.com

Austin Songwriters Group Annual Songposium, January 29-31, 2010

Featuring seminars, performances and pitch-to-publisher events by Rodney Crowell, Chuck Cannon and Allen Shamblin. Early Bird discount through Nov. 21st, only $150, which includes all activities and dinner Saturday night. Cost will go to $225 after Nov. 21st and $275 on Jan. 1, 2010.

This is going to be the best symposium ever. Don’t miss it!!!! Peace and Love lee leeduffy@austinsongwritersgroup.com 512 698 4237

♫

Steve Seskin Songcrafting Seminar, January 22-24, 2010, Nashville

Be part of this unique and intimate gathering featuring the wonderful Steve Seskin, Allen Shamblin and Gretchen Peters. Offering two full days of lectures, workshops and critique sessions that will totally change the way you look at songwriting, plus an optional hour one-on-one with Steve on Friday, 1/22; available slots to be booked separately. If you’d like a summary of possible topics to be covered, please check out Steve’s website at www.steveseskin.com and click on ‘songwriting workshops’ and then ‘course descriptions’. More details to follow
and then…

Join Steve for a Friday night solo concert at Edgehill Studios Café and a Saturday night in-the-round at the world famous Bluebird Café

Now here’s a chance at the perfect weekend to start off the perfect new year…

For more information please contact:

Claudia Young

csyoung@comcast.net

615-309-9449

$345 includes the Friday night concert

COWRITER CONNECTION

Created by noted hit songwriter and Nashville industry professional, Barbara Cloyd, this site is designed for writers to hook up with collaborators. Cost is $25 a year. Check it out at http://cowriterconnection.com

SONGWRITER GIRL CAMPS

Hit songwriter Kirsti Manna (“Austin”-by Blake Shelton) has created one-day camps for women of all ages to further their knowledge and career path. For more information, go to http://songwritergirl.com

SONGWRITER’S CONNECTION E-TIP

Learn, Grow and Prosper: Subscribe today at songconnection@aol.com

♫

Austin Songwriters Conference

John South — Mon, 16 Nov 2009 15:00:05 +0000

There will be a conference for songwriters on Jan 29 thru 31 in Austin where songwriters can attend classes on just about everything that has anything to do with the business of songwriting. Some of the best songwriters in the world will be there including Rodney Crowell (who is bringing Mary Karr too!!), Allen Shamblin (I can’t make you love me if you don’t/ and 15 other number ones), Chuck Cannon ( BMI Eight-Million-Air award…Great Guitar Player), Austin Cunningham (Ashley Judd/Dolly Parton and many more).

You already know of: Will Sexton, Bill and Ruth Carter, Monte Warden, and too many to name right now…We have a list of instructors and folks from the industry that are attending on our website and are adding to it daily. www.austinsongwritersgroup.com

This conference is a place to learn about the art of songwriting from folks that make a living doing it. It is also a place to meet some of the current participants in the industry from engineers and producers to song pluggers and publishers. There will be media and folks looking to hire sing/songwriters for house concerts or clubs as well as publishers looking for songs and entertainers. The great part about this is that it is very affordable. The cost of the whole weekend is 150 dollars for the next six days…and that includes your lunch on Sat. You must be a member of the Austin Songwriters Group. The membership fee for the songwriters group is 50 dollars a year…less than a dollar a week.

This is a great chance to meet these folks in a small gathering and hear some great music!

We will be at the Wyndham Hotel on south IH35. Stay at the hotel if you can because we pick all night and a lot of the guest instructors pick with us. You never know who might show up to play. This is our sixth year and it just gets better every year.

Please pass this on to any musicians that you think might be interested in this event.

Peace and Love
lee

Lee Duffy
leeduffy@austinsongwritersgroup.com
512 698 4237

Snack Food Scientist Makes Great Music

Sam Moore — Fri, 25 Sep 2009 02:22:08 +0000

EDITOR’S NOTE: While waiting to perform last Saturday at the Lee Street Bar and Grill in Greenville, I saw a poster for a performer who had been there recently. Then today, I came across one of his CD’s. I listened to it and was very impressed by his voice, delivery, lyrics and melodies. In fact, I listened to it twice. I just looked up his web site. Below is the biography, background and philisophy of who promises to be an incredible story – a man who began as a snack food scientist. Please read the following on the Texas music recipe created by Max Stalling:

10 years…5 cds…respect as a songwriter… top flight band…an expanding and loyal fan base. Not TOO bad of a track record for a guy who never felt he really had any business being in the music business.

“I didn’t even pick up a guitar until graduate school,” notes Max Stalling. After high school in Carrizo Springs, Texas, Stalling went to Texas A&M in College Station and earned a master’s degree in Food Science. Stalling took the corporate road to Dallas in 1991, working for Rainbo Bread and then in product development for snack food giant Frito-Lay. “I had no expectation of even being in the music business. I just liked to write songs,” says Stalling.
Then, while listening to Dallas community radio station KNON, Max discovered a whole new chapter in his life. Townes Van Zandt, Robert Earl Keen, Guy Clark, Lyle Lovett, Ray Wylie Hubbard, Rodney Crowell, Jerry Jeff Walker – singer/songwriters representing a musical heritage to which he had been nearly oblivious. Soon he discovered the emerging Dallas music scene at the Three Teardrops Tavern, a now defunct, but very central part of the Dallas and North Texas country music scene through the mid-90s. “I guess the 3Ts is where I must have stepped on a rusty guitar string and gotten infected with the music biz bug,” says Stalling.

Max Stalling views himself as a songwriter first and as a performer a distant second. This tidbit might come as a surprise to the multitudes of loyal fans that regularly attend his crowded shows.

Stalling composes songs that seem about the here and now yet seem to also have one foot planted in the past. Sporting a vintage LBJ style “open road” hat, which is dangerously close to becoming his trademark, Stalling’s shows are at once intimate and up-close with him chatting up the crowd between songs, and a ‘tour de force’ of sound on the shoulders of his top-shelf band.

With Jeff Howe on drums and percussion, Bryce Clarke on nylon-string guitar, electric guitar and mandolin and Jason Steinsultz swapping between stand-up and electric bass, Stalling brings together a show that blends an old-style country sensibility of danceable ballads with the slightly edgy elements so commonly seen in the “Texas Music” genre. Stalling and troupe seem equally at home on a huge honky-tonk stage in front of 1000 or playing an acoustic set in a tiny 50 seat coffee house.

Even without the benefit of a recent release, Stalling’s attendance numbers have continued to rise. “I chalk it up to the strength of the songs and the strength of my band,” comments Stalling.

Stalling released his 5th cd on June 12, 2007. Titled ‘Topaz City,’ this follows up 3 other studio projects (‘Comfort In The Curves’/1997, ‘Wide Afternoon’/2000, ‘One Of The Ways’/2002) and a live cd release (‘Sell-Out’/2006). ‘Topaz City’ is being self-released on the Blind Nello Records label.

Quick math shows this project coming on the heels of a nearly 5 year stretch without a studio-recorded batch of new songs – a near eternity in many circles. “Quite a few things have happened since I put out the ‘One Of The Ways’ disc back in 2002,” muses Stalling. “From a business standpoint, the bankruptcy of the distribution company handling my cds just months after I released ‘One Of The Ways’ really put a damper on my ability to come out with another project…just like it did to lots of other folks in my position. On a personal front, there were a whole slew of things that hit me pretty hard…girl problems, the extended illness and passing away of my father, topped off by an audit by our friendly IRS sure kept me from focusing on songwriting. That was a tough stretch of years.”

Stalling patiently bided his time, gathering a batch of songs that live up to his reputation as a songwriter. “I’m proud of every one of these songs…each for different reasons,” Stalling notes. Indeed, the songs seem to speak to Stalling maturing as a songsmith and vocalist.

With songs in hand, Stalling began to seek out a producer to help shape the overall sound of the project. Max tapped the über-cool “Off-Music Row” insider/outsider R.S. ‘Bobby’ Field to wear the producer’s hat. Field has been at the helm of many-a-hip production job for some of the genre’s most respected singer/songwriters…Todd Snider, Billy Joe Shaver, Allison Moorer, Webb Wilder and Hayes Carll to name but a few. “I talked to quite a ‘who’s-who’ list of people about taking this project on but it wasn’t until I hooked up with R.S. that I realized he was exactly the person I needed for this particular project. R.S. is the whole package… songwriter, gear-head, psychologist, music historian… everything you look for in a producer. Oh, and he’s one of the funniest people I’ve ever met in my life.”

The project was recorded in Austin at Bruce Robison’s new studio, Premium Recording Services. Jeff Howe and former band member Dale Clark and are featured prominently on the recordings. “This is the first time I’ve had the opportunity to use my road guys in the studio. I’m very proud of the life Jeff and Dale have given these songs,” says Stalling. “They poured their hearts and souls into this project and I think people will be wowed by what they can do.”

In June of 2008 Stalling was awarded a star on the South Texas Music “Walk Of Fame” in Corpus Christi, Texas. This recognition of other successful musicians from South Texas includes such notables as Guy Clark, Roger Creager, Bill Haley, Selena, Kris Kristofferson, Michael Nesmith (of The Monkees) and more.
So stands Stalling – poised on the edge of the next chapter in his career: armed with a strong, new cd being enthusiastically received by a loyal and growing fan base, respect from his songwriting peers and a stellar band to back him up.

Not TOO bad for a former snack-food scientist turned songwriter.

New IM Live Video Technology Changes Concert Experience

smssteely — Wed, 16 Sep 2009 22:13:19 +0000

Immersive Media is first to release IM Live, a new interactive live video technology which allows the viewer to completely control their concert viewing experience by manipulating angles and perspectives over the computer. Content comes alive giving a sensation of actually being on stage. The viewer can click on the live streaming concert and with the use of a mouse, see 360 degrees around the stage as if turning your head. Viewer can zoom in or out to receive the broadest or most intimate possible perspective while traveling around the stage.

On September 19, 2009 at 4:00PM, MediaTech Digital Film Studios of Dallas will host popular singer/songwriter Hannah Madison Taylor for a live interactive concert experience through the use of the new IM Live technology. During Hannah’s concert, every website viewer can independently choose their viewpoint, and with a simple ‘click and drag’ of the computer mouse explore every possible angle – up, down, sideways or all around. The technology empowers the viewer with the most realistic online visual experience available, bringing you up close and personal with each band member. To see how the technology works before the concert go to www.immersivemedia.com.

Hannah’s original compositions are heavily influenced by a range of pop icons as Sheryl Crow, Whitney Houston, Bonnie Raitt and Sam Cooke. You can experience the concert like never before by watching the live Immersive broadcast at: http://www.mediatech.edu/dallascampus_studioa.html

During this live event Hannah will be performing these songs:

Lying and Cheating
Not Your Fool
Love Or Something Like It
So Killer Sexy

About MediaTech Institute:

MediaTech Institute offers a one year recording arts programs to establish careers as a music producer, recording engineer, sound engineer for television or film, or in music business management. It also offers a Digital Film and Video Arts program that is a comprehensive study designed to teach advanced aspects of producing commercials, music videos, documentaries, television shows and feature films. Hands on instruction is provided in every aspect of the production process including developing, writing, producing, directing and editing for single and multimedia camera productions. For more information go to www.mediatech.edu or call 866.498.1122.

Larry W. Jones completes 6,000 song lyrics

Tue, 01 Sep 2009 17:12:28 +0000

Larry W. Jones, aka Kingwood Kowboy, has completed his writing of 6,000 song lyrics. Two collections of songs are currently available.

Real Country Lyrics is a collection of 2,000 classic and vintage country, cowboy and western songs, published in eight volumes of 250 song lyrics each. Island Song Lyrics is a collection of 4,000 island-themed songs written in the vintage style of “Territorial Hawaii” and other Pacific islands, which was popular in the early 1900′s when tropical dreams came true, published in eight volumes of 500 song lyrics each.

All his lyrics are properly copyrighted and the titles are registered through BMI, therefore ready for YOUR editing, arranging, music, recording and marketing. To view one or all, visit his website Kingwood Kowboy Song Lyrics

Cindy Walker Still Giving After Her Death

Sam Moore — Thu, 13 Aug 2009 16:20:50 +0000

She wrote “Bubbles in My Beer” for Bob Wills without ever been in a honky tonk. Now, in death, Texas songwriting legend Cindy Walker has done something incredible again.
The Country Music Hall of Fame and Museum announced that Walker has left a very generous gift: her catalog of 500 songs, including many pop and country classics. The gift includes her share of the songs, including future royalties. This is the first donation of its kind to the Hall.
Walker’s two most famous works include Roy Orbison’s “Dream Baby” and Ray Charles’ “You Don’t Know Me.” But her works also include many Western swing standards. Bing Crosby, Ernest Tubb, Eddie Arnold, Elvis Presley and Willie Nelson are among those who have recorded a Walker tune. Nelson even released a tribute album called “You Don’t Know Me: the Songs of Cindy Walker.”
Her lyrics were pure and plainspoken. They often talked of romance, heartbreak and picturesque prairies. She had top 10 hit songs in every decade from the ‘40s through the ‘80s.
A native of Mexia, near Waco, Walker was inducted into the Country Music Hall of Fame in 1997. In 1970, she became the first woman inducted into the Nashville Songwriters Hall of Fame. She was 87 when she died in 2006.
The Country Music Hall of Fame has not yet announced what it plans to do with the donation.

NSAI Houston North Metro August Meeting Notice

conniemims — Wed, 29 Jul 2009 18:00:21 +0000

Dear Songwriters:

This is a notice of the August workshop for NSAI Houston North Metro Chapter, for Wednesday, August 5th at Dosey Doe Coffee Shop, 25911 I-45 North, The Woodlands, TX, beginning at 7:00pm. For directions to Dosey Doe: http://www.doseydoescoffeeshop.com. Dosey Doe features a full dinner menu and outstanding hot and cold beverages. It is open to the public during the workshop and performance rounds, so please bring family and friends. Under 18 years okay. (Young children get bored easily; please leave them at home!)

Note: Non-members may participate during the workshop and group critique portion of the evening, but after 2 visits, they must pay a $15 auditing fee. The performance portion of the evening beginning at 8:30pm is open to everyone, free of charge.

JULY WORKSHOP AGENDA

7:15-7:45pm WORKSHOP: “Cuts In Different Genres” (This month’s program is taken from the featured webcast from 06/25/2009, available to NSAI members on the NSAI website. The pro-teacher was Jason Blume)

About Jason: Jason Blume is one of the few writers to ever have songs on the Country, Pop, and R & B charts – all at the same time. His songs are on albums and videos that have sold more than 50 million copies — with two cuts by Britney Spears, the Backstreet Boys, recordings by Jesse McCartney, a #1 R & B video by J’Son, five cuts by country star Collin Raye, and recordings by artists including the Gipsy Kings, John Berry, Steve Azar, and the Oak Ridge Boys. His top five single, “Change My Mind” received a BMI Million-Air Award for more than one million airplays.

7:45-8:30pm GROUP CRITIQUE

If you wish to present a song for group critique, it is first come, first served. Please arrive no later than 7:00pm and sign up for your critique. There are no advance signups, unless you’re coming from out of town.
Due to the time factor, we will limit the group critique to the time allowed, which is a maximum of 7 tunes.
You must sign a release form to present your song for critique.
Please bring at least 10 typed copies of lyrics to your song that you wish to have critiqued for the group to look on as you either present the song live, or by a recording. We cannot properly critique your song unless lyrics are provided.
Please bring your keyboard or guitar if you will be accompanying yourself. A playback system for CDs is provided over the house PA system. If you’re presenting via your iPod or other MP3 player, please bring the proper adapter cords for house system playback, or bring your own personal speaker system.

8:35-10:00pm SONGWRITERS IN-THE-ROUND

Signup is first come, first served, via replying to this email.
If you performed last month, please give someone else the opportunity this month-thanks!
First-timers and out-of-town performers will be given priority consideration.
Performing writers will be confirmed by Monday, August 3rd.
There are three 30-minute rounds, each with 3 songwriters doing 2 songs, a total of 9 songwriters for the night.
There are 3 mics and 3 line inputs provided.
No keyboards are provided.
Please be tuned up and ready to perform prior to starting your round.

SONG COACH IS IN THE HOUSE

We’ve implemented a monthly service called Song Coach, in addition to our monthly workshop. Song Coach can assist you in gaining some muscle in your writing to get you in top shape to compete in the commercial songwriting arena. Song Coach is available to work with one songwriter each month prior to the beginning of the workshop, from 6:00pm to 6:55pm, at Dosey Doe. This month’s Song Coach is Connie Mims. If you would like to book this slot with Connie, please email here by Monday, August 3rd.

SUMMER IS A GREAT TIME TO JOIN NSAI OR RENEW YOUR NSAI MEMBERSHIP!

Do you want to know why? Because if you join or renew from June 1st through August 31st, our chapter will rack up a bunch of cash incentives points from NSAI, which means we can have some interesting touring programs and speakers! In order for us to receive these incentives, you must let me know that you’re re-upping your membership or joining for the first time, so we can let the membership people in Nashville know in time.

MONTHLY SHOWCASE AT MAIN STREET CROSSING

We hope that everyone will come out and support our first NSAI SONGWRITERS IN-THE-ROUND on August 31st, 7:30pm at Main Street Crossing, 111 W. Main St.(FM 2920), in Tomball. The evening is formatted very similar to the shows at The Bluebird Café in Nashville, presenting two rounds of three songwriters. The first round features our NSAI Houston/Clear Lake/Houston North Metro performing writers, and the second round beginning at 8:30 features touring performing songwriters hosted by Connie Mims. This event will happen the 4th Monday of each month. Cover charge is $5.00. Here’s the August lineup:

7:30pm Scott Chance, Glynace Eastham and Alicia Selby

8:30pm Host Connie Mims, with George Ensle and TBA

We hope to see you at a workshop or a round real soon!

Best,

Connie Mims

NSAI Houston North Metro Regional Workshop Coordinator

nsai.houstonnorthmetro@gmail.com

Visit us on MySpace: http://myspace.com/nsaihoustonnorthmetro

IT ALL BEGINS WITH A SONG!

Join NSAI today: http://nashvillesongwriters.com

9th Annual NSAI Song Contest begins August 1st!

SONGPOSIUM 2009
September 22 – 25, Nashville, TN

Back for its 4th year, SONGPOSIUM will once again turn Nashville’s famous Music Row into your songwriting university campus. Featuring over 120 classes taught by some of the biggest names in the music industry, SONGPOSIUM is the most unique and comprehensive songwriting educational event available. Why? Because we put the choice in your hands. You fashion your schedule based upon your own individual needs and interests. How many classes do you want to take? Who do you want to take them from? What do you want to learn about? It’s all up to you!!

The Woodlands Songwriters Association July Song Swap and Critique

conniemims — Tue, 07 Jul 2009 18:22:43 +0000

WHO: The Woodlands Songwriters Association (WSA)

WHAT: Monthly Song Swap & Group Critique

WHERE: Borders Books, Market Street District, The Woodlands (adjacent to the Pavilion and the Woodlands Mall;

Intersection of Lake Woodlands Drive and Six Pines Drive); Meeting upstairs in the “Art & Architecture” section.

WHEN: Monday July 13th, 7:00pm-10:00pm

Note: If you are presenting your song for critique on a CD or iPod, please bring your own playback device to insure that we will be able to hear it. We no longer provide playback devices at meetings!!!!

WHY: Because you need to share your gift of song with others who have the same gift!

Our mission statement:

WSA is an organization offering an environment of support, information and creative inspiration to the songwriter hobbyist or to those wanting to advance to a more professional level, by providing opportunities to learn more about the craft and business of songwriting and to form creative partnerships and networking among fellow songwriters. WSA is open to anyone who wants to be a part of a network of songwriters of all levels. Meeting the 2nd Monday each month at Borders Books, Market Street, The Woodlands, TX, 7:00pm.

Join us on MySpace.

Write like you were born to!

Songwriting Therapy

Sam Moore — Sun, 05 Jul 2009 22:53:36 +0000

As I write this article, my brother is alive. By the time you read it, in all likelihood he will have died. What does this have to do with music?

I have always heard that music allows you to get in touch with and communicate your deepest emotions. This past week, I have learned that this is definitely true.

My brother, Rennie, was my hero and role model when I was a child. My father was a traveling salesman and gone every week. Rennie, nine years older than me, provided my male support. He was the one who first put me in touch with the magic of music. He let me listen to his albums: Roger Miller, Bobby Darin, and – yes – the Beatles. I loved the way John Lennon turned his collar up on the cover of Rubber Soul!

When Rennie joined the Navy, he gave me his albums for safekeeping. I played them, but I made sure nothing happened to him. And I still remember, one of the biggest thrills of my young life, was when he mailed me a copy of Hey Jude from overseas, before it had been released in the United States. I was the king of the neighborhood!

Over the years, as first he traveled, then I traveled, we always talked about music. When I started writing songs, he was one of my biggest supporters. He always loved hearing what my latest lyrics were.

For the past two years, he has bravely fought pancreatic and liver cancer. He is now losing that battle. I am in his home in Norfolk, VA right now. Rennie is under hospice care. In one respect, I am surprised he has lasted this long. But in other sense, it just doesn’t seem right that my hero will soon be gone.

When I arrived the other day, I started singing to him to calm him down. To my surprise, he began singing along with me. We sang I Hear You Knocking, Johnny Be Good, and Never Been to Spain. The one he could not stop singing was Black Betty. He sang it for everyone who came to see him. I told him if he showed up at the Pearly Gates singing that song, I was sure to be in trouble.

Since I have been here, I have completed three songs. Two touch the emotions I have been going through. The third, however, is my favorite. It has a co-writer: Rennie. We started by me asking him what his favorite things were. And it built from that. The song is called “Diamonds, Pickups, Water and You.” I will likely sing it at his funeral.

Songwriting has always been a creative release for me. These past several days, it has been my emotional therapy.

NSAI Houston North Metro July Meeting Notice

conniemims — Mon, 29 Jun 2009 15:09:56 +0000

The July workshop for NSAI Houston North Metro Chapter will meet on Wednesday, July 1st at Dosey Doe Coffee Shop, 25911 I-45 North, The Woodlands, TX, beginning at 7:00pm. Click here for directions to Dosey Doe. Dosey Doe features a full dinner menu and outstanding hot and cold beverages. It is open to the public during the workshop and performance rounds, so please bring family and friends. Under 18 years okay. (Young children get bored easily; please leave them at home!)

Note: Non-members may participate during the workshop and group critique portion of the evening, but after 2 visits, they must pay a $15 auditing fee. The performance portion of the evening beginning at 8:30pm is open to everyone, free of charge.

JULY WORKSHOP AGENDA

7:15-7:45pm WORKSHOP: “BUSINESS BASICS FOR SONGWRITERS”

Taken from the May 14th webcast lecture by ASCAP’s Ralph Murphy. Valuable basics every songwriter should know, as it answers the basic questions as you get into this business.

7:45-8:30pm GROUP CRITIQUE

If you wish to present a song for group critique, it is first come, first served. Please arrive no later than 7:00pm and sign up for your critique. There are no advance signups, unless you’re coming from out of town.
Due to the time factor, we will limit the group critique to the time allowed, which is a maximum of 7 tunes.
You must sign a release form to present your song for critique.
Please bring at least 10 typed copies of lyrics to your song that you wish to have critiqued for the group to look on as you either present the song live, or by a recording. We cannot properly critique your song unless lyrics are provided.
Please bring your keyboard or guitar if you will be accompanying yourself. A playback system for CDs is provided over the house PA system. If you’re presenting via your iPod or other MP3 player, please bring the proper adapter cords for house system playback, or bring your own personal speaker system.

8:35-10:00pm SONGWRITERS IN-THE-ROUND

Signup is first come, first served, via replying to this email.
First-timers and out-of-town performers will be given priority consideration. (If you performed last month, please give someone else the opportunity this month-thanks!)
Performing writers will be confirmed by Monday, June 29th.
There are three 30-minute rounds, each with 3 songwriters doing 2 songs, a total of 9 songwriters for the night.
There are 3 mics and 3 line inputs provided.
No keyboards are provided.
Please be tuned up and ready to perform prior to starting your round.

SONG COACH IS IN THE HOUSE

We’ve implemented a monthly service called Song Coach, in addition to our monthly workshop. Song Coach can assist you in gaining some muscle in your writing to get you in top shape to compete in the commercial songwriting arena. Song Coach is available to work with one songwriter each month prior to the beginning of the workshop, from 6:00pm to 6:45pm, at Dosey Doe. This month’s Song Coach is Connie Mims. If you would like to book this slot with Connie, please email here by Monday, June 29th.

JUNE IS A GREAT TIME TO JOIN NSAI OR RENEW YOUR NSAI MEMBERSHIP!

MONTHLY SHOWCASE AT MAIN STREET CROSSING

We hope that everyone will come out and support our first NSAI SONGWRITERS IN-THE-ROUND on June 29th, 7:30pm at Main Street Crossing, 111 W. Main St.(FM 2920), in Tomball. The evening is formatted very similar to the shows at The Bluebird Café in Nashville, presenting two rounds of three songwriters. The first round features our NSAI Houston/Clear Lake/Houston North Metro performing writers, and the second round beginning at 8:30 features touring performing songwriters hosted by Connie Mims. This event will happen the 4th Monday of each month. Cover charge is $5.00. Here’s the June lineup:

7:30pm Season Ammons, Leslie Krafka, Haley Georgia
8:30pm Host Connie Mims, Bob Cheevers, Tres Womack

The July 27th NSAI SONGWRITERS IN-THE-ROUND will feature the following performing writers:

7:30pm Dusty Duhon, Steve Sample, Kathryn Hallberg
8:30pm Host Connie Mims, with Tracie Lynn and Gaylynn Robinson

We hope to see you at a workshop or a round real soon!

Remember: IT ALL BEGINS WITH A SONG!

Best,

Connie Mims
NSAI Houston North Metro Regional Workshop Coordinator
nsai.houstonnorthmetro@gmail.com

Visit us on MySpace.
Join NSAI today.

The Heart of Melody – An Interview with Lena Shammas

baspinwall — Wed, 03 Jun 2009 23:45:14 +0000

This is the first of what we hope will be many articles written by Bill Aspinwall whose album, Free Range Trout, was reviewed by the Texas Music Journal (http://texasmusicjournal.com/texas-music-business/album-reviews/album-review-bill-aspinwall-range-trout).

This article originally appeared in “Liner Notes”, the official webzine of the Houston Songwriter’s Association and is re-published with their permission.

_________________________________________________________________________________

“The wealth of sense-knowledge belongs to perception, not to immediate certainty, where all that wealth was merely something alongside and by the way; for it is only perception that has negation, distinction, multiplicity in its very nature.” - The Phenomenology of Mind, G.W.F. Hegel

Photo by Bill Aspinwall

One of the most elusive elements that songwriters deal with is melody, the element in a song that at its best, resonates in our hearts, immediately captures our attention and lasts in our memory. The best melodies make us want to sing along with the radio or in the shower. The philosopher Hegel’s concept that perception is everything seems to be particularly true when it comes to melody.

There is a large amount of literature aimed at defining melody; explaining the basics: construction of note sequences and rhythm, intervals and patterns, chord structures and scales. Unfortunately, purely intellectual efforts to construct compelling melodies fall short of reaching that goal.

Yet the concept of what makes a particular piece of music more pleasing to the ear than others is intriguing. Talking to a person who consistently produces engaging melodies might be a useful approach. One person who writes ear-pleasing melodies is Lena Shammas.

Some writers (Annie Proulx, for instance) believe that the best way to learn how to write is to read. By extension, it may be that the best way to learn to write better melodies is to listen. You should listen to Lena Shammas and do your own research – with the melodies that she writes, the journey unfolds like the best of melodies, effortlessly, organically and with pleasure. You can check out her music on her first CD, “Open Your Eyes”, released in 2004 and available on Outbound Music.com. It’s a unique gem.

After you’ve had the chance to listen to Shammas, you’ll understand. I had the opportunity to hear and see Shammas at Anderson Fair, in Houston. The legendary Anderson Fair, still lighting prayer candles for live music.

It was a songwriter night, hosted by Ken Gaines, consummate performer and songwriter, joined by the bourbon-smooth guitar of Wayne Wilkerson. Clay Farmer was also along for the ride, in full acoustic songwriter mode, East Texas fundamentalist gospel honky tonk, country rock and more. Just another magical night at Anderson Fair.

The following week, Shammas was kind enough to spend a lunch hour with me, talking about songwriting and how it’s been a part of her life.

Global Perspectives

She was born in Kuwait into a Christian family. Her family left Kuwait while she was very young, and she then spent quite a bit of her childhood all over the globe – London, New York, Moscow, Poland, Hungary, Paris, Nairobi, and California.

As a result of her travels, she has been fluent in 4 languages. At the moment “three and one-tenth – I’ve started studying Spanish”. She has written songs with lyrics in Arabic, English and French.

When she was with her family in Moscow, she helped her father, a Kuwaiti diplomat, by translating Russian.

“I was about 9 or 10 in Moscow. I used to be fluent in Russian. My dad always needed me – he’d say ‘Call Lena – we need to talk to so-and-so’. You know, when you’re a child, you just pick up a language much, much easier.”

Because her father was an ambassador, family travel included a trip to New York City, to put up the Kuwaiti flag at the United Nations. She went to the local international schools where her father was posted and for awhile, a boarding school in Switzerland. She finished her high school years in Kenya, graduating from Nairobi International School and then went to Pepperdine University in California.

A global perspective at an early age. She also started music at an early age.

“I started playing piano when I was six. Just learning scales, do-re-mi, from a Russian lady. And then when I was 12, in boarding school in Switzerland, my roommate had a guitar. She never wanted me to use her guitar, but when she was out of the room, I used to borrow the guitar. And then I asked my parents for a guitar and it started from there.”

Shammas’ guitar playing is deceptively simple and elegantly placed behind her songs. The training in classic music shows, for example, in the song “Don’t Try to Stop Her” on her first CD. The song has a short bridge where the guitar work sounds almost like the beginning of a fugue with counterpoint – very Bach-like.

Another interesting facet is her ability to write gorgeous melodies. Her use of intervals and unexpected notes is beautiful and inventive. Without being derivative, her melodies are reminiscent of some of the best work of the Seals and Croft, Karla Bonoff or Joni Mitchell; for a more recent comparison, perhaps Sarah McLachlan or Sheryl Crow.

Working with a Multi-Platinum Producer

Her first CD is a wonderful and fascinating project, produced by André Cymone. Cymone is a supremely talented musician and producer who played bass in high school bands with Prince (long before Prince became the “Artist formerly known as Prince”) and also played bass on one of Prince’s early albums, “Dirty Mind”.

Then, in best Pete Best fashion, Cymone left just before Prince became a mega-super star. Cymone, however, went on to produce a number of high profile pop/R&B/dance acts in the 80’s, including the multi-platinum Jody Wately and Adam Ant. To have such an experienced and talented producer for a first CD project is a good thing.

“When I first came to Texas, I was getting into music…trying to see where I belonged. A friend of mine from Los Angeles came to town and he heard me singing. He said, ‘Let’s go to LA and see this producer friend of mine.’ We ended up meeting a record producer who apparently had been trying to get in to see André Cymone.”

As luck would have, a meeting was arranged.

“So we go and meet André and right away, André and I just clicked. I just really liked him and he liked my music and through kind of visiting, we found out who he was and right away he said, ‘I’ll do your CD’. His fee is ordinarily humungous, but without a fee, he did my CD.”

Shammas is very modest about her guitar technique and while it’s not laden with fret-blazing gymnastics, it is a unique and subtle fingerstyle, using notes to imply chords and counterpoint.

“While we were doing the CD with André, he said, ‘Instead of flying out, I’ll get a guy to come in and play exactly the notes’. And he brought in four really good guitarists. Then he called me back. ‘You know what, Lena? You need to come out here, I don’t know what you do, maybe it’s too simple, maybe it’s somehow awkward, but you need to come and do it yourself.’ So, I played my own guitar parts for the CD.”

Blending tradition into the future

While the production on her first CD encompasses primarily soft rock and pop, her lyric approach remains true to her Arabic roots.

“I kind of identify my songwriting with Arabic songwriting. Arabic songs are only about love. We don’t write about losing a house or tragedy. It’s only about love. I feel like my songwriting is only about emotions. So it’s part of a tradition.”

Shammas has respect for tradition, and like many successful musicians, hears her music in her head. And perhaps this is why some melodies can be so magic and so elusive – they come from within, from our hearts, our minds, our souls.

“I’ve tried to co-write with a couple of other people, and while we were writing, someone might say, ‘No, but you can’t do that note after that chord.’ And my way is, yes I can, because I hear it.”

Shammas is always working on new tunes. With global perspective, multiple languages, and melodies coming from her heart, head and soul, we can all be looking forward to her next release. It’s a good time to be alive.

Anna Thomas’ stunning first outing: Splash of Red

Ryan Michael Galloway — Mon, 01 Jun 2009 01:47:31 +0000

I’ve been following the development of North Texas performing songwriter, Anna Thomas, for almost a year now. She has just released her first EP, Splash of Red, a locally produced venture. I have to say, I’m completely impressed.

Usually when you listen to a small regional release, you find yourself having to make a lot of excuses for shortcomings in the music, production and arrangement. Not so on this one, where the recording and production contain both elegant simplicity and intelligent complexity—all in just the right measure and at just the right time. To sweeten the deal, there isn’t a lame cut on the whole release. The big leaguers don’t even do that most of the time.

I had a feeling come over me when I first listened to this CD, and I can remember the exact moment I last had the same feeling. It was when I put Steely Dan’s Aja on the turntable for the first time and listened to it through some pricey headphones. The texture was perfect; the music engaging, snarky and just challenging enough (I mean all of that in a good way), with little musical surprises that made you feel like the artist was letting you in on something, if you would just listen. Splash of Red hit me just like that.

Anna must be an old soul. I haven’t told you yet that she is merely 13 years old. That means she’s just getting started, which excites me no end. If this is how she’s starting her career, my God, she will be a joy to watch if she decides to continue to develop her art.

The lyrics are very sophisticated for anyone’s age. You could compare her sound to Coby Calais, but she does some more interesting turns in her voice that I haven’t heard anywhere else, and her advanced musical and lyrical tendencies surpass the pop star category. The teens may get pulled into it, but I see her demographic as older and a bit more discerning than even, say, the average light jazz listener. This may limit Ms. Thomas’ following a bit, but mark my word, if she sticks with it her following will be rabid for her sound and her future releases.

Finally, some credit goes to a few people helping Anna perfect her sound and her recordings. This is not to take away one ounce of her talent, but every picture needs a great frame—and she has more than one. Front and center is Matthew Gaskins, a remarkable musician with a Masters Degree out of North Texas University. That’s impressive enough, but Mr. Gaskins is more phenomenon than mere musician. He has not only mastered a number of instruments—including his voice—but understands the holistic arc of a production and its arrangement. He collaborated with Ms. Thomas on the arrangements of all the songs, and produced Little Red and My Circle.

The songs Bleached, Trace of Light, and Break Apart were produced by Salim Nourallah, one of Mr. Gaskins colleagues. Mr. Nouralla’s production style on all of the instruments and vocals appears to be, “If it doesn’t need it [an effect], then don’t use it.” The dry, minimalist result is stunning, but only because Ms. Thomas is good enough to pull it off. I’ve been encouraged to try the same approach on my own material, and the idea scares me to death! Maybe after hearing Splash of Red, I’ll get inspired to try it myself.

Behind the scenes is another remarkable person, Ms. Thomas’ father, Scott Thomas. Scott is a wonderfully flashy bassist who was generous enough to play on my last EP, Rock the Big House Down. If Mr. Thomas is a “stage dad,” he’s a very gentle one. He’s been smart enough to stay out of the way of his daughter and her collaborators, only recommending ideas in the most gentle way, and letting the art develop like a mushroom instead of a project.

If there is room for improvement, it will be in Ms. Thomas live delivery. Having said that, a recent performance demonstrated that she is on an improving trend as we speak. It has nothing to do with the quality of her singing, which is confident and convincing the majority of the time. It more has to do with the “selling” of her songs, which starts from the minute you begin to introduce the number and follows through to the final notes. It’s all headed in the right direction though, and one of the more interesting developments has been watching her weave her very dry, understated humor into her act. I think once people “get” her and she works into a really comfortable zone, that we are going to be completely blown away. That’s as opposed to mostly blown away, which is where we are now.

Woodlands Songwriters Association Monthly Meeting

conniemims — Sun, 31 May 2009 18:38:11 +0000

WHO: The Woodlands Songwriters Association (WSA) WHAT: June Monthly Song Swap & Group Critique WHERE: Borders Books, Market Street District, The Woodlands (adjacent to the Pavilion and the Woodlands Mall; Intersection of Lake Woodlands Drive and Six Pines Drive); Meeting upstairs in the “Art & Architecture” section. WHEN: Monday June 8th, 7:00pm-10:00pm *Special Guitar Instruction Class from 6:00 to 7:00pm, facilitated by Michael Pope! The Guitar Doctor is in the house! He’ll be covering the following: Basic Guitar for Songwriters

Notes
Scales
Chords
Chord Progressions

HOW: Put on your thick skin coat and leave your ego at home. Sign up for your song’s critique beginning at 7:00pm. Bring at least 10 copies of your lyrics to share. Bring your CD recording that can play on your own boom box or play it live with your instrument of choice. There are always guitars to share, but no keyboards. Just lyricists and/or composers are always welcomed! All styles/genres of music welcomed. Note: If you are presenting your song for critique on a CD or iPod, please bring your own playback device to insure that we will be able to hear it. We no longer provide playback devices at meetings!!!! WHY: Because you need to share your gift of song with others who have the same gift! Our mission statement: WSA is an organization offering an environment of support, information and creative inspiration to the songwriter hobbyist or to those wanting to advance to a more professional level, by providing opportunities to learn more about the craft and business of songwriting and to form creative partnerships and networking among fellow songwriters. WSA is open to anyone who wants to be a part of a network of songwriters of all levels. Meeting the 2nd Monday each month at Borders Books, Market Street, The Woodlands, TX, 7:00pm. Join us on MySpace. Facilitator: Connie Mims info@conniemims.com Write like you were born to!

June Workshop for NSAI Houston North Metro Chapter

conniemims — Thu, 28 May 2009 16:39:48 +0000

The June workshop for NSAI Houston North Metro Chapter will take place on Wednesday, June 10th at Dosey Doe Coffee Shop, 25911 I-45 North, The Woodlands, TX, beginning at 7:00pm. Click HERE for directions to Dosey Doe.

Dosey Doe features a full dinner menu and outstanding hot and cold beverages. It is open to the public during the workshop and performance rounds, so please bring family and friends. Under 18 years okay. (Young children get bored easily; please leave them at home!)

JUNE WORKSHOP AGENDA

7:15-7:45pm WORKSHOP: “HOME RECORDING 101”

Presented by Peter Renfree, songwriter/guitarist/recording engineer and producer. Ren will cover some of the affordable and not-so-complicated software and hardware options for you to begin recording simple demos and work tapes at home.

7:45-8:30pm GROUP CRITIQUE

· If you wish to present a song for group critique, you must sign a release form upon arrival.

· Due to the time factor, we will limit the group critique to the time allowed, which is a maximum of 8 tunes.

· Please bring at least 10 typed copies of lyrics to your song that you wish to have critiqued for the group to look on as you either present the song live, or by a recording. We cannot properly critique your song unless lyrics are provided.

· Please bring your keyboard or guitar if you will be accompanying yourself. A playback system for CDs is provided over the house PA system. If you’re presenting via your iPod or other MP3 player, please bring the proper adapter cords for house system playback, or bring your own personal speaker system.

8:35-10:00pm SONGWRITERS IN-THE-ROUND

· Signup is first come, first served, via replying to this email.

First-time performers will be given priority consideration. (If you performed last month, please give someone else the opportunity this month-thanks!)

Performing writers will be confirmed by June 1st.

· There are three 30-minute rounds, each with 3 songwriters doing 2 songs, a total of 9 songwriters for the night.

· There are 3 mics and 3 line inputs provided.

· No keyboards are provided.

· Please be tuned up and ready to perform prior to starting your round.

SONG COACH IS IN THE HOUSE

We’re implementing a new monthly service called Song Coach, in addition to our monthly workshop. Song Coach can assist you in gaining some muscle in your writing to get you in top shape to compete in the commercial songwriting arena. Song Coach is available to work with one songwriter each month prior to the beginning of the workshop, from 6:00pm to 6:45pm, at Dosey Doe. Please let me know if you would like to book this slot.

JUNE IS A GREAT TIME TO JOIN NSAI OR RENEW YOUR NSAI MEMBERSHIP!

DEBUT OF OUR MONTHLY SHOWCASE AT MAIN STREET CROSSING

We hope that everyone will come out and support our first NSAI SONGWRITERS IN-THE-ROUND on June 29th, 7:30pm at Main Street Crossing, 111 W. Main St.(FM 2920), in Tomball. The evening is formatted very similar to the shows at The Bluebird Café in Nashville, presenting two rounds of three songwriters.

The first round features our NSAI Houston/Clear Lake/Houston North Metro performing writers, and the second round beginning at 8:30 features touring performing songwriters hosted by Connie Mims. This event will happen the 4th Monday of each month. Cover charge is $5.00. Here’s the June lineup:

7:30pm Season Ammons, Leslie Krafka, Haley Georgia

8:30pm Connie Mims, Bob Cheevers, Tres Womack

We hope to see you at a workshop or a round real soon!

Remember: IT ALL BEGINS WITH A SONG!

Best,

Connie Mims
NSAI Regional Workshop Coordinator
nsai.houstonnorthmetro (at) gmail (dot) com

Join us on MySpace

Join NSAI today

Houston Area Songwriter Meetings and Organizations

John South — Mon, 04 May 2009 23:56:19 +0000

NSAI Houston North Metro Chapter
Meets the 1st Wednesday of each month for informative lessons, guest speakers, group critique and songwriters’ performances in-the-round. Next meeting is Wednesday, May 6th beginning at 7:00pm at Dosey Doe Coffee Shop, on I-45 north, in the Woodlands. More info at http://myspace.com/nsaihoustonnorthmetro/

Woodlands Songwriters Association
WSA is an organization offering an environment of support, information and creative inspiration to the songwriter hobbyist or to those wanting to advance to a more professional level, by providing opportunities to learn more about the craft and business of songwriting and to form creative partnerships and networking among fellow songwriters. WSA is open to anyone who wants to be a part of a network of songwriters of all levels. Meeting the 2nd Monday each month at Borders Books, Market Street, The Woodlands, TX, 7:00pm. Next meeting Monday, May 11th, 7:00pm. Join the MySpace group: http://groups.myspace.com/woodlandssongwriters/

Houston Association of Acoustic Musicians (HAAM)
The Houston Association of Acoustic Musicians is a not-for-profit community of Acoustic Musicians and those who support acoustic music in the Greater Houston Area.

Our mission:
To develop and share resources with our membership and the Greater Houston Community.
To create an identity for the Houston acoustic music scene by encouraging awareness.
To provide and explore opportunities for social and professional development and networking.

NSAI Houston Monthly Meeting and Open Mic
Dave Bannen hosts the Houston area chapter of NSAI the last Sunday of each month at JP Hops House, at 4:00pm, followed by an Open Mic hosted by TC Smythe at 6:00pm. Next meeting is Sunday, May 24th, 4:00pm. For more information on NSAI Houston’s meetings, contact Dave at dbannen (at) hotmail (dot) com.

Houston Songwriters Association
The Houston Association (HSA) is a non-profit 501 (C3) organization serving the greater Houston area for over 15 years. Originally started in Richmond, Texas and called the Fort Bend Songwriters Association, the name was changed to Houston Fort Bend Songwriters Association acknowledge the area wide demographics of the members. On January 1, 2008 it was changed to its present name of Houston Songwriters Association. Our mission is to support and encourage the art and craft of songwriting, to provide resources and educational opportunities to songwriters, and to nurture a positive environment in which songwriters may fully develop their potential as songwriters. The group meets monthly to critique songs and showcase talent. News, member achievements, and special events are conveyed through our newsletter, “Liner Notes”. During the monthly critique sessions, two to three songs are chosen by ballot as the song of the month. At the November meeting, the “Song of the Year” and the “Songwriter of the Year” are chosen by secret ballot from those monthly winners, with the results announced at the Annual December Party. All ages, all musical styles and all levels of experience are invited! We welcome you to visit and make some new friends that share your interest in songwriting. Next meeting Sunday, June 14th, 1:30pm, at JP Hops House, 2317 Hwy 6 South. For more information, visit http://www.houstonsongwriters.com/.

PERFORMANCE VENUES, OPEN MICS AND SUCH

Sundays: NSAI Open Mic Nights Every Sunday at JP Hops House!
Nashville Songwriters Association International hosts an Open Mic at 6:00pm EVERY SUNDAY NIGHT at JP Hops House, 2317 Hwy. 6 South. Thanks to TC Smythe for hosting this premier open mic in Houston! http://www.jphopshouse.com/

Mondays: McGonigel’s Mucky Duck’s Open Mic
Anything goes at this great venue, from poetry to comedy to actual music, hosted by Wayne Wilkerson. Signups at 6:00pm-ish. 2425 Norfolk, off of Kirby and 59. http://mcgonigels.com/

Tuesdays: Main Street Crossing’s Open Mic
Hosted by Danny Everitt, this venue has it all: great food, drinks, staff, sound, stage and vibe. Signups are at 6:30pm and it goes on until 10:00 or later. This is a popular open mic, so plan ahead by contacting Danny at danny (at) dannyeveritt (dot) com. Your 3-song set can be recorded for only $5.00, when you bring your own blank CD-R. Stars are made at this open mic, so even if you don’t perform, it’s a great evening out for a meal and a show. Main Street is located in the heart of old Tomball, at 111 W. Main Street (FM 2920). http://www.mainstreetcrossing.com/

Wednesdays: Crescent Moon Wine Bar’s Open Mic
There is a new Open Mic opportunity for the north Houston metro area, at the Crescent Moon Wine Bar, located at 440 Rayford Rd., east of I-45 north. This is a beautiful room: great stage, ample sound and a cool vibe. The Wednesday Night Open Mic will be hosted by Danny Everitt, who will ensure a great time and variety of performances. Sign-ups are at 6:30pm and the music starts at 7:00pm and wraps up by 10:00pm. The stage can accommodate up to 3 vocal mics.
*NO KARAOAKE/SINGING TO TRACKS is available.
*NO RECORDING OFF THE BOARD is available.
http://www.crescentmoonwinebar.com
Phone: 281-364-WINE (9463)
Contact Danny Everitt for all details: danny (at) dannyeveritt (dot) com

INFORMATION & INSPIRATION

Wildflower Songwriter School
An outstanding and career changing songwriting school will be held during the Wildflower! Festival at the Marriott Residence Inn in Richardson, Texas. The school taught and hosted by Grammy winning songwriter Jon Vezner and internationally acclaimed songwriting Author/Professor Pat Pattison of the Berklee College of Music, will be held May 15-17, 2009. We invite you and any of your fellow songwriters to attend. As a member of our songwriting community, you will receive a $25 discount on the school when you apply – just note it on the application. As an added bonus, you will also receive complimentary tickets to the 2009 Wildflower! Festival being held the same weekend to hear some of the nation’s most respected songwriters. The school is limited to 40 people so reserve your space as soon as possible by registering at Wildflower Festival Songwriter School.

Play For Publishers Workshop
A Barbara Cloyd Songwriting Workshop, Thursday, June 25, through Saturday, June 27, to be held at The Bluebird Cafe, Nashville, TN, with:
Scott Gunter – Universal Publishing
Rusty Gaston – This Music
Jennifer Chaffin – Curb Music Publishing
Kos Weaver – Disney Music
Jennifer Johnson – Golden Vault Music
Greg Gallo – Greg Gallo Music
The deadline is MON MAY 18th
Go to http://www.barbaracloyd.com/ for all information.

Skip Ewing’s Horse & Writer “Invitational” July 12-18, 2009
www.HorseandWriter.com
All accepted applicants attend on Full Paid scholarships worth $2500 and pay no tuition!
This year’s staff includes: Skip Ewing, Deanna Bryant, and Clay Mills.
Applications must be postmarked by May 15
Contact The Horse & Writer Team at theteam (at) horseandwriter (dot) com

Songwriter Girl Camp May 15-17th in Nashville
We are only 3 weeks away from Songwriter Girl Camp May 15-17th at Montgomery Bell State Park. It will be a life changing weekend of co-writing, networking with industry pros, stage performance opportunities and connecting with other Songwriter Girls. We are still offering $100.00 off the camp pass which makes this amazing weekend a great value of only $248.00! http://www.songwritergirl.com/get_the_free_newsletter.html

Artist/Producer looking for original material for recording artists
We’re looking for Country, Contemporary Country, Americana of all tempos. We’re listening to everything. Anyone interested can contact me and I will provide the details. All tunes must be on CD or mp3 file and include lyrics with publishers and writers identified. Thanks for your help,

Donnie Hons
Morning Buck Music. BMI
8988 CR 15
Hallettsville, Texas 77964
donaldh (at) testengeer (dot) com
http://myspace.com/donniehons/

SONGWRITER’S CONNECTION E-TIP

Learn, Grow and Prosper: Subscribe today at songconnection (at) aol (dot) com

7 Ways to Sell Your Music On iTunes
http://www.garagespin.com/2009/03/09/7-ways-sell-your-music-on-itunes/
We get a LOT of questions about this topic; this article is a pretty good answer.
If you know of Texas companies that offer these services, please let us know.
Thanks,
Casey Monahan, Marc Fort and Steve Ray
Texas Music Office, Governor’s Office
P.O. Box 13246, Austin, TX 78711-3246
512.463.6666 / fax 512.463.4114
music@governor.state.tx.us
http://governor.state.tx.us/music
http://EnjoyTexasMusic.com
~You Can’t Hear American Music Without Hearing Texas~

New Site: Texas Music Journal
If you know of any singers/songwriters or bands that would like us to review their albums, we would be happy to do so. They should send 2 CDs and their contact information to my office (Texas Music Journal, 8920 Pocono Dr., Plano, TX 75025). We have set a stiff goal for ourselves to have reviews for CDs on the website within 2-5 days after receiving the CDs. That gives us time to review the music and contact the artist for short interviews related to their music. We use 2 CDs as we peer review the material and then compare and contrast notes.

Regards,
John South

For more info, contact jrsouth (at) texasmusicjournal (dot) com
http://texasmusicjournal.com/

The Bugle Boy Sunday Showcase

B Boy — Tue, 28 Apr 2009 17:20:23 +0000

What: The Bugle Boy Sunday Showcase

Where: 1051 N. Jefferson St. (Hwy 77), La Grange, Texas 78945

When: Next Sunday Showcase is May 17, 2009. Sunday Showcases are held on selected Sundays each month, 1:30pm – 5:00pm, doors open at noon and performers must check-in by 1:00pm. For the current schedule and to sign up, click here.

Tickets: Cover for both performers and audience is $5. You can purchase tickets online here.

The Sunday Showcase at The Bugle Boy in La Grange is a biannual series, held one Sunday per month, where up and coming professional artists have the opportunity to hone their skills on the stage of this premier listening room. Presenting two songs each, before a panel of three judges and an audience of supportive peers and “extreme listeners”, performers compete for a cash prize and for a chance to perform at a Best of Showcase concert at the end of each season. The two Best of Showcase winners are invited to perform a split bill concert in January, at the venue’s well-attended anniversary show. The Sunday Showcase is sponsored by the Bugle Boy Foundation, a 501(c)3 publicly supported non-profit organization which supports live, independent, original music. For more information, go to www.thebugleboy.org, click on “About“, and scroll down to “Sunday Showcases“.

“Deep” in the Heart of Texas

Rick Matos — Thu, 23 Apr 2009 23:45:51 +0000

This past weekend, we returned to Uncle Calvin’s Coffeehouse (www.unclecalvins.org) in Dallas expecting to listen to some talented performers do their stuff. And with depth beyond his years, Chris Rosser, a singer-songwriter from North Carolina, took us on an international tour of musical splendor.

One could try to classify Chris’ repertoire to folk music, but that would be placing a jewelry store in a gift box. His music cuts across boundaries paving new roads across the musical landscape and creating cross-culture genres like “Indo-billy”, “Turko-billy” and “world music fusion” by blending jazz, swing, gospel, folk, Indonesian, coffeehouse acoustic, and Turkish styles.

A gifted lyricist, vocalist and instrumentalist, his vocals are reminiscent of James Taylor and his piano tends toward Keith Jarrett and George Winston. Songs carry us through the hills and valleys of life. Melodies caress us with the warmth of an early summer breeze and glide us gently down as leaves upon flower covered fields. Lyrics paint the view from the windows of the soul. His vocal range is a playing field for the arsenal of musical instruments he commands (dotar, guitar, Turkish “banjo”, piano, just to name a few).

Growing up in North Carolina and hearing all of the family tales, he felt as if he had actually lived in Atlanta, TX. In “Deeper Than My Name”, Chris recounts some of the stories about his grandmother while she was still with the family in Atlanta. In “Atlanta”, Chris shares with us his journey to her funeral and his return to the tap root of his family tree. Her interment unearthed family history recounted in the song.

In his concert and in the CD entitled “The Holy Fool”, Chris’ messages transcend religious barriers, helping us realize the unity and commonality we share. We laughed, got choked up and met a man who admits, “I don’t have all the answers”. Even so, he has a perspective that many need to hear.

Chris dedicates himself to family and music as owner and operator of Hollow Reed Arts (www.chrisrosser.com), a recording studio in Asheville, NC named after the “hollow reed” prayer of the Baha’i faith. He travels in the U.S. and abroad doing what he can to establish a spiritual connection with audiences through his music. He is a graduate of the University of Miami and has a double major- sound engineering and piano.

Best of luck, Chris!

All Things Songwriter-April 2009

Wed, 22 Apr 2009 00:00:30 +0000

Dear Songwriting Friends:

I get a lot of opportunities and information concerning songwriters in my inbox every day, so I thought I would compile the best and most interesting things into a monthly e-letter for you to consider as relevant or not. Most of it relates to the Houston-area songwriting community, but I put other stuff in here, too. There’s a lot of information here. Enjoy and Utilize!

Connie Mims
Songwriter-Consultant-Performance Coach
The Woodlands, TX
http://www.conniemims.com

HOUSTON AREA SONGWRITER MEETINGS & ORGANIZATIONS
Woodlands Songwriters Association
WSA is an organization offering an environment of support, information and creative inspiration to the songwriter hobbyist or to those wanting to advance to a more professional level, by providing opportunities to learn more about the craft and business of songwriting and to form creative partnerships and networking among fellow songwriters. WSA is open to anyone who wants to be a part of a network of songwriters of all levels. Meeting the 2nd Monday each month at Borders Books, Market Street, The Woodlands, TX, 7:00pm.
Next meeting Monday, April 13th, 7:00pm. Join the MySpace group: http://groups.myspace.com/woodlandssongwriters

Houston Association of Acoustic Musicians (HAAM)
The Houston Association of Acoustic Musicians is a not-for-profit community of Acoustic Musicians and those who support acoustic music in the Greater Houston Area.
OUR MISSION:
To develop and share resources with our membership and the Greater Houston Community.
To create an identity for the Houston acoustic music scene by encouraging awareness.
To provide and explore opportunities for social and professional development and networking.

HAAM has a weekly radio show called The HAAM Radio Show & Traffic Jam, spinning tunes from local to regional singer/songwriters and bands, along with a live in-studio segment featuring a local or touring artist. Tune in each Monday from 3:00 to 5:00pm on 90.1FM KPFT or listen live at http://www.kpft.org. Bi-annual fund drives help keep this program on the air, so your financial support is encouraged. To find out more about HAAM, go to http://www.haam.us

NSAI Houston Monthly Meeting and Open Mic
Dave Bannen hosts the Houston area chapter of NSAI the last Sunday of each month at JP Hops House, at 4:00pm, followed by an Open Mic hosted by TC Smythe at 6:00pm. Next meeting is Sunday, April 26th. For more information on NSAI Houston’s meetings, contact Dave at dbannen@hotmail.com.

Houston Songwriters Association
The Houston Association (HSA) is a non-profit 501 (C3) organization serving the greater Houston area for over 15 years. Originally started in Richmond, Texas and called the Fort Bend Songwriters Association, the name was changed to Houston Fort Bend Songwriters Association acknowledge the area wide demographics of the members. On January 1, 2008 it was changed to its present name of Houston Songwriters Association. Our mission is to support and encourage the art and craft of songwriting, to provide resources and educational opportunities to songwriters, and to nurture a positive environment in which songwriters may fully develop their potential as songwriters. The group meets monthly to critique songs and showcase talent. News, member achievements, and special events are conveyed through our newsletter, “Liner Notes”. During the monthly critique sessions, two to three songs are chosen by ballot as the song of the month. At the November meeting, the “Song of the Year” and the “Songwriter of the Year” are chosen by secret ballot from those monthly winners, with the results announced at the Annual December Party. All ages, all musical styles and all levels of experience are invited! We welcome you to visit and make some new friends that share your interest in songwriting. Next meeting Sunday, May 3rd, 1:30pm, at JP Hops House, 2317 Hwy 6 South. For more information, visit http://www.houstonsongwriters.com

SHOWS, EVENTS & HAPPENINGS

Linda Lowe’s Writers in the Round Concert Series proudly presents WITR Kids in Concert Spotlight Band
Friday, April 17, 2009 6:30 – 7 p.m. The WITR Kids will open for the West University Spring Classical Concert Series The Shepherd School of Music in the Gazebo at Colonial Park at Academy & Byron St.
Grab a lawn chair or your favorite blanket and meet us on the lawn by the gazebo!

Houston Music Makers Mixer
The 3rd Tuesday each month; open to music industry professionals; sponsored by The Recording Academy, SugarHill Studios and The Houston Press.
Join us Tuesday, April 21st from 6:00 to 8:00pm at Pearl Bar 4216 Washington Avenue, Houston, TX 77007. RSVP to Gina Miller at SugarHill: 713.926.4431

NSAI Open Mic Nights Every Sunday at JP Hops House!
Nashville Songwriters Association International hosts an Open Mic at 6:00pm EVERY SUNDAY NIGHT at JP Hops House, 2317 Hwy. 6 South. Thanks to TC Smythe for hosting this premier open mic in Houston! http://www.jphopshouse.com

Texas Music Awards features all-Houston area Nominees for 2009!
Congratulations to Connie Mims, Danny Everitt, TC Smythe, Hank Woji, Brian Kalinec, Derek Aramburu, Jonathan Dewveall, and the group, DEWVEALL, and to radio station KPFT for their various nominations for this year’s Texas Music Awards, presented by the Academy of Texas Music. This event is in its 7th year, and celebrates and acknowledges the Texas Music Industry. It’s the closest thing to the GRAMMYS as it gets- red carpet and all! Fans and Texas music enthusiasts are encouraged to support the Academy and the show by joining today and attending this year’s event. This year’s event features live performances by nominees, and a concert by host Michael Martin Murphey immediately following.

DATE/TIME: Sunday April 26th, 11:00am gates open; Red Carpet Media blitz at 12:00pm; show at 2:00pm
TICKETS - http://www.facebook.com/l.php?u=http://www.texasmusicawards.org%2Ftickets%2F
LOCATION - Palestine Civic Center (corner of Hwy 287 and Loop 256)
Please come out and show your support for our independent Texas musicians, as well as the non-profit Academy of Texas Music, Inc., whose mission is recognition, scholarships, and benevolence to musicians in need. For only $25 and $35 a ticket, you will not find better entertainment anywhere!!

New Open Mic Needs Your Support to Get Off the Ground and Running!
There is a new Open Mic opportunity for the north Houston metro area, at the Crescent Moon Wine Bar, located at 440 Rayford Rd., east of I-45 north. This is a beautiful room: great stage, ample sound and a cool vibe. The Wednesday Night Open Mic will be hosted by Danny Everitt, who will ensure a great time and variety of performances. Sign-ups are at 6:30pm and the music starts at 7:00pm and wraps up by 10:00pm. The stage can accommodate up to 3 vocal mics. *NO KARAOAKE/SINGING TO TRACKS is available. *NO RECORDING OFF THE BOARD is available. http://www.crescentmoonwinebar.com/ Phone: 281-364-WINE (9463) Contact Danny Everitt for all details: danny@dannyeveritt.com

OPPORTUNITIES, OPEN MICS AND SUCH

Main Street Crossing’s Tuesday Night Open Mic
Hosted by Danny Everitt, this venue has it all: great food, drinks, staff, sound, stage and vibe. Signups are at 6:30pm and it goes on until 10:00 or later. This is a popular open mic, so plan ahead by contacting Danny at danny@dannyeveritt.com. Your 3-song set can be recorded for only $5.00, when you bring your own blank CD-R. Stars are made at this open mic, so even if you don’t perform, it’s a great evening out for a meal and a show. Main Street is located in the heart of old Tomball, at 111 W. Main Street (FM 2920). http://www.mainstreetcrossing.com

Play For Publishers Workshop
a Barbara Cloyd Songwriting Workshop
THURS JUNE 25 through SAT JUNE 27
to be held at THE BLUEBIRD CAFE, NASHVILLE TN
with:
Scott Gunter – Universal Publishing
Rusty Gaston – This Music
Jennifer Chaffin – Curb Music Publishing
Kos Weaver – Disney Music
Jennifer Johnson – Golden Vault Music
Greg Gallo – Greg Gallo Music
The deadline is MON MAY 18th
Go to http://www.barbaracloyd.com for all information.

Check out BIG FAT PRIZE
Listing the latest and greatest songwriting competitions and other prize-winning opportunities.
http://www.bigfatprize.com/

INFORMATION & INSPIRATION

Blogging Muses: #1 Songwriting Blog
Check it out: http://www.bloggingmuses.com

Derek Sivers, Founding Father of CD Baby has Created a Great Inspirational Site
http://musicthoughts.com

Songwriter’s Connection E-Tip
Learn, Grow and Prosper: Subscribe today at songconnection (at) aol (dot) com

Just what does it take to make a number-one selling album these days?
You’ll be amazed: http://www.digitalmusicnews.com/stories/022509no1

Houston Singer/Songwriter Shows Her Stuff

Sam Moore — Tue, 21 Apr 2009 13:42:36 +0000

During recent musical travels, I met a singer/songwriter named Beth Kille. She is originally from Wisconsin, but now lives in Houston. I caught a recent show at a private event, Salon Nights on the Levee, in Dallas. And she showed her audience she has a lot of talent.

Beth performed with her drummer, Tony Kille, who Beth says “conveniently doubles as my husband.” Beth’s style ranges from folk/country to rock/jazz. Yes, she is a versatile performer. She reminds me very much of a young Sheryl Crow, who she looks to as one of her many influences. Beth led a rock group – Clear Blue Betty – for six years in Madison, Wisconsin. She moved to Houston one year ago.

Songs during the show included “Under,” a very good tune with a driving beat. “Only Skin” was inspired by a couple burned in a fire. Beth said they commented that they were used to themselves, but it has taken the world a little longer. “Say My Name” was a very entertaining one-string song. And “Through the Walls” was a little song, Beth said, “about stalking your neighbor – but in a nice way!”

During the show, which also included performances with her close friend Jessi Lynn, Beth sang and played guitar, mandolin and harmonica. Her voice is smooth and soft, with a high range.

As good as Beth is, she is often upstaged, as she was this night, by Buddy, her black Labrador. Buddy visited with audience members before working his way up on stage. At one point, he knocked over Jessi’s water bottle. “He must be thirsty,” Beth said.

Beth has several upcoming performances in the Houston area: April 23 at Anderson Fair, May 8 at Backyard Tavern, May 9 at Bohemeo’s, and May 18 at the Corkscrew. To learn more about this talented young artist, visit www.myspace.com/bethkille.

You too can be a Christian music writer

Rick Matos — Mon, 16 Feb 2009 21:00:21 +0000

Some wonder whether or not they have what it takes to be a Christian music writer. What does it take to craft a Christian song? What inspires Christian writers? The answers vary, but the themes are the same: faith, surrender, life, commission and Grace.

Faith is the mortar that holds all Christians united. Each of us is a building block for the foundation of the Kingdom of God on earth. A Christian music writer crafts the masterpieces of his or her art upon this faith foundation.

Surrender is openness to God’s designs in our lives. We lay upon His mantle our plans with full knowledge and acceptance that His plans will change the roadmap we follow. Surrender opens our eyes, minds, hearts and souls to His touch. The Christian music writer surrenders to the will of the Father, Son and Holy Spirit. Their voice is the guide to his or her music.

To basic human perception, life is the sum total of our experiences on earth and the force which keeps us in motion. It is the period of time during which we occupy physical form and use our free will to follow the roadmap of our choice. Life is the time during which we rise or fall. The Christian music writer lives life as all do, sensing, observing, choosing, acting and listening and places these experiences into song.

We are all commissioned by God to act on His behalf. Many of the works of God are carried out by human hands. The common usage of this term suggests that we are to receive compensation or remuneration for fulfilling a commissioned work. Music of the soul is the work God has commissioned of the Christian music writer whose most important compensation is recognition that His music has touched or will touch the lives of many.

Grace is the salvation freely given to all who choose to follow in the footsteps of Christ. It is the gift that allows us to transcend from an abbreviated physical life into an eternal spiritual life. The Christian music writer sees Grace at work in life and captures its love and power in song.

In short, the Christian music writer recognizes God’s commission and freely chooses to surrender to His will by creating Grace-filled music about life.

Look about you and see life through new eyes. Be inspired. Be open. Surrender. Accept Grace freely given. You too can be a Christian music writer.

The Power of Association

Sam Moore — Fri, 30 Jan 2009 17:04:22 +0000

OK, you’ve written a few songs. Now what? Do your creations have potential? How will you know? And what can you do with them? You need a support group. And luckily, plenty of them exist.

Several years ago – before I had begun writing songs – I had the privilege of meeting country music legend Bill Anderson, backstage at the Grand Ole Opry. He was incredibly friendly to my wife and me. Then a couple of years ago, I saw Anderson on television, picking up a Grammy for his songwriting. I was so excited, I decided to email him. I congratulated him, saying I knew he would never remember our meeting. So you can imagine how I felt when he responded the next day, saying he certainly did remember meeting me. I decided to tell him about my songwriting, and asked him for his advice. Anderson said I should join the Nashville Songwriters Association.

It has turned out to be some of the best advice I have ever received. Even though I live in Dallas, I feel tremendous support from this group. Whether you are a beginner or seasoned professional, NSAI has a plethora of tools available. Weekly presentations are streamed live on their website for members, and are archived for future viewing. Members can submit ten songs a year for expert critiques. An annual songwriting contests offers the hope of notoriety for songwriters around the country. Regional and national seminars provide a lot of one-on-one and group support.

NSAI also provides a tremendous service for all songwriters. They lobby Congress for the rights of songwriters. Believe me, songwriters everywhere benefit from this. In addition, NSAI a couple of years ago bought the famous Bluebird Café in Nashville. This has long been the starting point for many performing songwriters. It was here that a relatively unknown Garth Brooks took his brand new song, Unanswered Prayers, and performed it live for the first time. My wife and I were there once on Open Mic Night. We saw members of the Nitty Gritty Dirt Band sneaking in through the kitchen to catch that night’s songs.

NSAI has chapters around the country. But in addition to that, scores of local songwriters associations also provide support. I am a member of the Collin County Songwriters Association. I look forward to the monthly songwriters circle. Steve Anderson opens his guitar shop to the songwriters, to share songs and critiques of the works. We have a lot of talent in our group, and I have learned a lot from many of the members. It always helps to have people listen to my songs and give advice. CCSA members also help each other in public performances. It is not uncommon for the president, Ryan Michael Galloway, to provide sound and lighting for members – then sit in and play a little bass. Michael “Mudcat” Reames, the association ambassador, often will sit in and add a little blues harmonica when asked. From my personal perspective, this is a huge thrill when he plays with my band. After all, Mudcat in the early 1970s made a 16-year-old named Steve Vaughn (yes, it was him) audition to join his band.

The Dallas Songwriters Association conducts monthly showcases for performing songwriters. This provides an outstanding opportunity to get public exposure to some really fine quality songs. As I said, groups such as these exist around the country for songwriters. A simple computer search will pull up the associations in your particular area.

If you are really serious about songwriting, I suggest you team up with a songwriters association. You have a lot to learn – we all do – and these groups can provide really useful knowledge. For example, from NSAI I learned that a song’s success is often determined by timing and patience – the right song, for the right performer, at the right time. A songwriter had a composition that he really liked, but he could not get a publisher to pick it up. He did not give up, pitching it non-stop for seven years. Finally, one publisher told the songwriter that he had a new group that might be interested. The group was indeed impressed with the song, and decided to record it. “Bless the Broken Road” became the first number-one song for Rascal Flatts!

From critiques to collaboration, songwriters associations provide tremendous support to those of us looking to tell our stories to a larger public.

Check out the following links for more information: